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feliza___

verification Winner "Fresh Film Focus" Urban StarParticipant "Fresh Film Focus"

The freshness of truth

In an era of saturated billboards with remakes, anecdotally nostalgic films, and worn-out sequels, appealing to alternative circuits may be the way to find a breath of fresh air amidst so much repetition. Moreover, exploring cinema from less familiar regions can offer an enriching experience both in terms of entertainment and understanding of the world, exposing audiences to new narratives and perspectives that might otherwise be overlooked. Personally, I think that La piel en primavera (Skin in

Soledad Bermejo: Excelente reseña! Gracias!

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The freshness of truth
feliza___

feliza___

verification Winner "Fresh Film Focus" Urban StarParticipant "Fresh Film Focus"

The end of the world has arrived, and Radu Jude knows how to portray it

Before entering the cinema, I knew little more about this film than its bizarre poster, which looked like something out of an ancient version of Adobe Photoshop, and the fact that it had been screened at the 2023 Mar del Plata Film Festival. It was also my first time watching a Romanian film, a country about which I realize I know less than I'd like to admit. I could never have anticipated what followed after the lights went down. Directed by Radu Jude, Do Not Expect Much from the End of the Wor

Carlos CSC: Más de 200 votos en 1 día. Increíble...

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The end of the world has arrived, and Radu Jude knows how to portray it
Lucas Friesen

Lucas Friesen

Cinephile PanelManuscript MagicianThe Film Collector

Companion Made Me Question Everything

Companion is overrated. With a 94% critics score and 89% audience score on Rotten Tomatoes, I realize my opinion for this movie is in the minority. Peliplat keeps it a bit more real, rating the movie a 7.4, but even that seems too high. I'm surprised to see such high praise and the audience flocking to the theatre, despite the movie having a first-time director and a cast made up of relative newcomers. To me, the movie had no clear point, and a social commentary that is neither accurate nor enti

Ishika Banerjee: BEEP BOOP

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Companion Made Me Question Everything
RayZ

RayZ

verification Urban StarInked Explorer

If You Cannot Find Anything to Love About ‘Barbie’

As a film critic, I’m ready to share my take on any film, with anyone. It’s a great way to make friends from all over the world. But I hesitate when people ask me about ‘Barbie’, the new Mattel-produced, Warner Bros-distributed film that’s being released in many countries. The reason: it could be so polarizing. What’s more complicated: it may not go neatly along the gender line. I’ve seen many men embracing this movie, and I’ve also witnessed a few women denouncing it as another attempt to pigeo

Amel Hurtado: single analysis.

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If You Cannot Find Anything to Love About ‘Barbie’
Sofi Soso

Sofi Soso

Cinephile PanelManuscript MagicianUrban Star

Gone Girl: Amy Dunne and the Dark Side of Love

Introduction In the beginning, Amy looks more submissive and innocent. Amy Dunne, the enigmatic protagonist of Gillian Flynn's "Gone Girl," is introduced as a beautiful and intelligent woman, seemingly the epitome of a desirable partner. However, beneath this polished surface, she harbors a significant and disturbing secret. As the film unfolds, her personality is revealed to be that of a calculating sociopath, driven by a chilling thirst for revenge. Her meticulously orchestrated steps, execute

Ana Maria Herrera Orjuela: What a fascinating article, full of analysis, emotions and mainly narrative skill. Thank you for sharing it. If you agree, I would like you to read and like mine: In Spanish: Viola Davis: Un Legado de Autenticidad y Poder en la Pantalla Grande English: "The Odds": A Descent into Human Depravity

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Gone Girl: Amy Dunne and the Dark Side of Love
Preston Schwartz

Preston Schwartz

Inked ExplorerLocal LegendParticipant "Fresh Film Focus"

The Bride: The Femme Fatale Reborn

Cinema has always been a reflection of our culture and struggles. Few characters have made such an impact on how women are portrayed on screen as Beatrix Kiddo, better known as “The Bride” from Kill Bill. When Kill Bill released in the early 2000s, action cinema was still largely dominated by male-driven narratives. Women in action films were often secondary characters, one-dimensional, love interests, or hyper-sexualized warriors. Enter “The Bride”. Ferocious, driven, and entirely self-possesse

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The Bride: The Femme Fatale Reborn
JennMaxwell

JennMaxwell

Cinephile PanelInked ExplorerHometown Headliner

The Kissing Booth, Rom-Coms, and Female Characters: A Fan Interviews Meganne Young

I'm a good writer. I'm good at sitting behind a screen, formulating my web of thoughts into a coherent sentence; lather, rinse, repeat. Maybe that sounds like a brag, but you should know that I'm a good writer because I'm bad at talking. I will never be a public speaker, a theatre performer, or a news broadcaster—but I could easily write all of their lines. When I got an opportunity to sit down for a one-on-one conversation with an actress whose work I admire, I accepted instantly, forgetting ju

TomBelding: Great Article! I'm a Meganne Young fan!

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The Kissing Booth, Rom-Coms, and Female Characters: A Fan Interviews Meganne Young
JamieL

JamieL

Peliplat's Epic ScribblerChatterbox CharmingUrban Star

Moana Conquered the Seas, But What About the Girls Left Behind?

Years ago, when I first watched Moana, I saw it as the perfect Disney princess film. It had everything: captivating music, a legendary storyline, breathtaking visuals, and Moana herself—the most un-princess-like princess Disney had ever created. To me, she was Disney's strongest feminist character since Elsa from Frozen. Moana was independent, brave, and unyielding in her pursuit of her dreams. She embarked on a long ocean voyage alone and saved her people almost entirely through her own efforts

Danny Varekai: Moana captivated me with its visuals and empowering lead, but rewatching it, I felt its focus on individual success overshadowed deeper themes of collective female strength. The lack of meaningful female bonds left me wanting more from her journey. By the way, I’d love for you to take a look at my write-up about What Women Want: My Guilty Pleasure Film. Let me know what you think, and if you like it, feel free to hit that like button!"What Women Want: My Guilty Pleasure Film

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Moana Conquered the Seas, But What About the Girls Left Behind?

Clutching Her Black Furs: Bianca Censori

I saw images of the Kanye West controversy on the carpet, showing off his new toy thing. Obviously, the first thing I felt after my initial discomfort was rage. Bianca Censori looks positively uncomfortable, if not frightened, clutching her black fur coat as if her life depends on it. Then, there's Ye, all stoic and shadowy in the back, and maybe this performance is not a surprise, seeing the reputation he's curated for himself-- the problem is that you can sense his domination. She is not in co

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Clutching Her Black Furs: Bianca Censori

THE SUBSTANCE: Beauty is Horror

Beauty is a woman's most valuable currency. This is an idea that has been spoonfed throughout societies for centuries. Ancient China depicts numerous female characters in the classic Three Kingdoms, all of them known for their extreme beauty. Diaochan specifically was one that I was drawn to, although being described as an amazingly talented artist from a young age, her appearance became her legacy and is the most important trait of her character as her story arc became known as one of the earli

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THE SUBSTANCE: Beauty is Horror
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