queer cinema

# queer cinema

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Love Lies Bleeding (2024), Queer Noir

Between the 1920s and 1930s, Raymond Chandler and Dashiell Hammett took crime out of the luxury mansions and brought it back to the streets. In creating the Hardboiled Fiction, crime was now not a matter of bored aristocrats (a la Agatha Christie) but of spoiled daughters of renowned aristocratic families, entangled with gangsters and involved in vice, blackmail and murder. People killed out of jealousy and not because of boredom or trivial motives; instead of exotic Indian poison, vulgar lead b

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My Leading Lady Bird

Who will dance with her? She hates to be alone. That's smart, really. Being alone leads to loneliness. She's not going to meditate until she finds her inner light. I know that it doesn't exist, but I can't speak for her. I may have seen the movie, but that wasn't her end. A lady's senior high school year is formative, but not conclusive. Although my experiences differed from hers, the currents of change were all but the same. How she grows out of these changes is only the beginning of her journe

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Queer (2024) and the Eternal Return of Counterculture

It’s tempting to watch Queer (2024) as just another literary adaptation, another arthouse film drenched in Luca Guadagnino’s signature sensuality. But this is Queer—a work by William S. Burroughs, a Beat Generation relic that has somehow made its way into our algorithm-driven, hyper-aware, politically charged present. This isn’t just a love letter to Burroughs—it’s a reminder that counterculture never truly dies. It just gets repackaged, commodified, and recycled, over and over again. Queer is a

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Queer (2024) and the Eternal Return of Counterculture

Secret Emotions and Ayahuasca Only Belong to ‘Queer’

For starters, here’s an overview: “Queer” is definitely not a film I can appreciate, and it even gave me a terrible viewing experience, which explains my low rating for it. However, it could very well be a good film, because “Queer” might actually be very queer. Still of “Queer” A good film that I don’t like? Sounds contradictory, right? But this phenomenon has already appeared early on in my film-watching journey, especially when I first started watching master films with a learning purpose. Ba

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Secret Emotions and Ayahuasca Only Belong to ‘Queer’

Drive-Away Dolls Left Me Unsatisfied

Drive-Away Dolls is Ethan Coen’s first feature as a solo director. His illustrious filmography is entirely tied to his brother, Joel. As a duo, they’ve made some great movies like Fargo, No Country for Old Men, Burn After Reading and more. Ethan Coen’s first solo feature is short and mildly funny. In Drive-Away Dolls, two lesbian friends take a drive-away car from Philadelphia to Florida in 1999. Now that each Coen brother has directed a solo feature, I think it shows why these two make such a g

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Alejandro Franco "Arlequin"

Love Lies Bleeding (2024), Queer Noir

Everything Everywhere All at Once

Fresh Film Focus

LGBT

Love Lies Bleeding

Everything A24

My Leading Lady Bird

Lady Bird

Leading Ladies on Screen

A24

Greta Gerwig

Juanes Ópera Film y Series

Queer (2024) and the Eternal Return of Counterculture

Queer

Fresh Film Focus

Arthouse film

queer cinema

seamouse

Secret Emotions and Ayahuasca Only Belong to ‘Queer’

Queer

Queer

queer cinema

Based on novel

Cine Files

Drive-Away Dolls Left Me Unsatisfied

Drive-Away Dolls

Comedy

Buddy Comedy

Drive-Away Dolls