# French cinema
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Emilia Pérez is the Clear Example of Why not Everyone Should do Movies

Undefeated in the courtroom, Rita (Zoe Saldana), a Mexico City defence attorney, is enlisted to tend to the affairs of a notorious drug lord (Karla Sofía Gascón) who has grown contrite and is now completing gender affirmation surgery. As someone who grew up in Mexico City, I was highly anticipating this film; the idea of Saldana playing a character in my home city made me extremely curious. I must say, I was devastated when I could not get my hands on a ticket for the screening of this movie at

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Emilia Pérez is the Clear Example of Why not Everyone Should do Movies
seamouse

seamouse

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Cultural Confidence: French Audiences Still Chose Theatres in 2024

France is "the only country where more people went to the cinema in 2024 than in the previous year," and the growth in admissions was "driven by domestic films." Olivier Henrard, the acting chairman of the French National Center for Cinema (CNC) excitedly announced this "dual exception" in the CNC's annual report released on New Year's Day this year. Indeed, in the context of a global decline in cinema attendance, as the birthplace of cinema, France has achieved something of a miracle. In 2024,

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Cultural Confidence: French Audiences Still Chose Theatres in 2024

Always loving Delphine Seyrig

matsuhara_puru

matsuhara_puru

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Delphine Seyrig was a Lebanese-born French actress and film director. She came to prominence in Alain Resnais's 1961 film Last Year at Marienbad, and later acted in films by Chantal Akerman, Luis Buñuel, Marguerite Duras, Francois Truffaut, and Fred Zinneman. She also directed three films.

Woman Director

Timeless classics

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Alain Resnais Mon Amour

matsuhara_puru

matsuhara_puru

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Alain Resnais was a French film director who was a leader of the Nouvelle Vague of unorthodox, influential film directors appearing in France in the late 1950s. His major works included Hiroshima Mon Amour (1959) and Last Year at Marienbad (1961).

Auteur Film

Arthouse film

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