São Marino (2022)

Father Julio Lancellotti tells the story of Marino, a trans masculine person who lived in the sixth century, in Lebanon, and who, after his death, was canonized as Santa Marina, considered, by progressive sectors of the Catholic church, the protector of gender identity. With scenes, reflections and interactions of a trans masculine group, the film promotes sensitive contemporary discussions about, for example, respect for the social name, re signifying Santa Marina as São Marino.