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Escribo cosas. Cosas sobre cine. Periodista y Comunicador Social. Conoce más de mí. Instagram: @mapache.media Twitter: @santiago_0406 LinkedIn: https://www.linkedin.com/in/surregor/
I remember the feeling as I left the theater after watching Todd Phillips’ ‘Joker’ (2019). Some people were speechless from the shock they felt. Others just couldn’t stop talking about the incredible journey that the film had been. But no one, absolutely no one, left the theater indifferent. It was expected that, being such a universally acclaimed film and becoming a box office that hit beyond Warner Bros.’ wildest dreams, there would be a sequel. At the end of the day, business is business. Wha
🎬 Cine con mirada social | Crítico y cinéfilo apasionado 📝 Aquí analizo películas más allá de la pantalla: cine, sociedad y cultura. 📢 Únete a la conversación sobre cine en mis redes: 📍 Instagram: @JuanesOpera y @JuanesOperaFilm ¡Sígueme y hablemos de cine con sentido! 🍿🎥
Joker: Folie à Deux, directed by Todd Phillips and starring Joaquin Phoenix and Lady Gaga, presents a complex dive into identity, power, and the distortions between reality and entertainment. The title, “Folie à Deux” (meaning “madness shared by two”), encapsulates not only the relationship between Arthur Fleck (the Joker) and Harley Quinzel (Harley Quinn) but also the dual nature of the film’s narrative—balancing between a grounded reality and the spectacle of a musical. The film plays with the
Boehmia Mendez Marcano: Tu imaginación es increíble, ¡creas escenarios que parecen reales!
Fav directors: Godard, Cassavetes, Scorsese, Reichardt, Garrel, Ferrara.
This is not a review of these popular films but a reflection on certain cultural phenomena. We all know what happened during Hollywood’s summer season last year. Barbie and Oppenheimer, initially competing for the same release window, complemented each other and achieved mutual success, injecting a much-needed boost into Hollywood after the post-COVID slump. This fall, however, a strikingly ironic parallel to the “Barbenheimer” phenomenon has emerged: let me present you “Megajokalis”: the simult
N. Reynosso: gran artículo!
Just a simple cinephile who enjoys movies from all around the world.
"Let's give the people what they want." Harley Quinn says this phrase at a certain surreal/musical moment of the most—we can say it now—unfairly hated and dividing movie of the year. These words feel like a massive yearning of what never happened nor what we'll never see. Or, maybe, Todd Phillips intended this originally with the second movie, but all together didn't end up connecting with the audience and the critics as the first one did. The anarchy, rebellion and free violence sense reflected
J13001 - Joaquin: 👏🏼👏🏼
Fav directors: Godard, Cassavetes, Scorsese, Reichardt, Garrel, Ferrara.
2024 has undoubtedly not been a good year for Joaquin Phoenix. This 2020 Oscar-winner actor is now caught in a double defeat: his new film Joker 2: Folie à Deux has flopped both at the box office and with critics, and his sudden exit from an untitled LGBTQ-themed film with Todd Haynes just five days before shooting has severely tarnished his reputation. Together, these two incidents have cast a huge shadow over his career. Among the two, his abrupt departure from the Todd Haynes film challenges
C Vivacos Arizmendi: Without a doubt it is the best.
Just a simple cinephile who enjoys movies from all around the world.
Was a sequel necessary? This was the first question I asked myself after the continuation of the Oscar winner Joker—which was slightly inspired by Gotham City's iconic villain—was announced. What would be the movie approach and how much more could the story be exploited? Just by thinking about it for a second, the possibilities were more than interesting. The first movie introduced us to Arthur Fleck's miserable life. He was a aspiring stand-up comedian, but behind that dreamlike fantasy in whic
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Malii: impressive! Lady Gaga without a single flaw.