I don't know if you've ever felt this way, but it seems like the more movies I watch, the more I can only find the pure joy out of a good story in animated films. It's true—just a simple, good story. Perhaps because animated films often cater to children, they humbly focus on the power of storytelling. This power dates back to ancient times when people, anxious about food and nightfall, gathered around campfires to spin comforting tales. A truly moving story has strangely become something rare t
marvelousmars: I hadn't heard of this movie, but I'm definitely going to watch it now! While I understand your concern about the idea that all women, even robots, are inherently materal, I'm actually really interested by the fact that Roz is a "woman"! It seems like besides EVE in Wall-E, all female robots are sexy and either subservient or evil, so this is refreshing to see!
The DreamWorks law is in effect: after a mediocre (or outright terrible) movie, they release a masterpiece that everyone can’t stop talking about. Following the lackluster Kung Fu Panda 4, which fell short despite its fan service and heartfelt message, they’ve now premiered the film that - you read it here first - will be the animated favorite of the year at awards ceremonies. With Chris Sanders at the helm, Wild Robot has arrived, and as always, DreamWorks never fails to deliver delightful surp
Hello Peliplaters! For many viewers, Nobita is the quintessential anti-hero. He lacks typical protagonist qualities: he has poor grades, average looks, and a weak personality. Without Doraemon by his side, he'd seem utterly useless, with no future prospects. While many people adore Doraemon, few would claim to like Nobita. In the Doraemon stories, Nobita often serves as a foil to highlight Doraemon's capabilities. I was no different from the rest. For years, I believed I continued watching this
A few years ago, I immersed myself in the world of "Stranger Things." At the time, I barely knew the cast or details of the plot, but the atmosphere of the series immediately drew me in. "Stranger Things" is not just a series; it’s a portal to a nostalgic era, a blend of mystery, horror, and adventure that takes us back to the 1980s, a time when life seemed simple, and curiosity was insatiable. What started as a trial episode turned into a deep, emotional journey filled with universal themes tha
I'm not going to even try to pretend I'm unbiased. I’m preparing for the holidays in the US with my parents (including my immigrant father) right now, but there’s none of the usual cheer. Election day was spent silently avoiding the news and dodging the topic of the election. Even now we avoid speaking of it unless we’re talking about plans going forward, but no matter what we try to distract ourselves with, the political reality is always lurking in the back of our minds. I can’t say I’m surpri
After months of buzz surrounding Megalopolis, Francis Ford Coppola’s long-awaited film, I finally got the chance to see it, and all I can say is this: watching it was an experience unlike any other—but one I wouldn’t recommend to anyone. Megalopolis tells the story of an architect determined to overcome resistance and transform a fictional city—“New Rome,” evoking both New York and ancient Rome—into a utopia where everyone can find enlightenment and fulfillment. Coppola nurtured this idea for ov
Over the past several years, the popularity of true crime series has skyrocketed, and I, like many other people, ended up caught by this wave. Be it stories involving serial killers, intricate offenders or intriguing cases, the appeal seems undeniable. However, lately, one question has begun to bother me more and more: are these productions making us sympathize with murderers? With Netflix bringing productions like Monsters: The Lyle and Erik Menendez Story, A Friend of the Family, and the contr
Valentina Ramiro: Great ending of the note, energetic and combative
In romantic cinema, the dynamics of age have often been a contentious topic. For decades, the silver screen has been filled with tales of older men wooing younger women, reinforcing societal norms that seldom scrutinized these relationships. However, with the release of Lonely Planet (2024), we witness a refreshing shift: a young man falling for an older woman, challenging the conventions of love and desire. Starring Liam Hemsworth as the charming young protagonist and Laura Dern as the sophisti
N. Reynosso: gran artículo!
Last month, The Grand Tour aired its final episode, and as a car enthusiast, I have a lot of thoughts. As the owner of a 2008 Porsche Boxster, I’m passionate about the sensory experience that gas-powered cars provide. Every time I take my car out for a spin with the top down, I get lost in the roar of the engine, the wind in my face, the smoky scent from roadside restaurants, the music playing from nearby shops, the glances from pedestrians, and even the earthy smell after rain. This kind of imm
Ludwika Moller: Very good.
Examining ‘Pedro Páramo’ Before ‘One Hundred Years of Solitude’ The novella “Pedro Páramo” by the magical realism pioneer Juan Rulfo, directly inspired Gabriel García Márquez’s masterpiece, “One Hundred Years of Solitude.” Recently, Netflix released a film adaptation of “Pedro Páramo,” premiering over a month before the series adaptation of “One Hundred Years of Solitude.” This film ambitiously weaves together a labyrinth of life, death, memory, and shifting narrators. Juan Rulfo and his masterp
In the expansive universe of Japanese manga, Gintama stands out for its unique storytelling and profound themes, capturing the hearts of countless readers. Its protagonist, Sakata Gintoki, is a blend of comedic charm and deep-rooted samurai ethos. He seamlessly merges tradition with modernity, absurdity with solemnity, crafting a character that’s both complex and irresistibly engaging. The Depth Behind the Laid-Back Demeanor At first glance, Gintoki is easily recognizable: wild, with naturally c
Joker: Folie à Deux: Double Fantasy and the Faceless Mask In Joker (2019), Arthur (his name hardly matters) retained his agency as a character. He would apply makeup and perform, work as a clown, ride the bus home, watch talk shows with his mother, and chat with people in elevators. Through these slice-of-life moments, we glimpsed the city’s inhabitants, even if they were often thoughtlessly conceived. Throughout these fragments, Arthur underwent an unsettling split. At times, these seemed like
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marvelousmars: I hadn't heard of this movie, but I'm definitely going to watch it now! While I understand your concern about the idea that all women, even robots, are inherently materal, I'm actually really interested by the fact that Roz is a "woman"! It seems like besides EVE in Wall-E, all female robots are sexy and either subservient or evil, so this is refreshing to see!