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A film made of burning books, windows, calendars. A quarantine film with lies, fictions, post-truths, and confined memory disturbances. A film written in forty days of silence, as notes for a future fiction film, in a city that is less and less recognizable. Cervantes, who knew confinements and pandemics, presides over a game of mirrors between centuries that connects Madrid and Beijing, while filtering the news, gestures and political strategies coming out of the daily press of the nervous and spectral Madrid of the spring of 2020.