Fake (2016)

Fifteen years after his documentary A, which focused on the dangerous Aum cult and the illegitimate actions of Japanese police, Mori Tatsuya returns to the format and examines the work of composer Samuragochi Mamoru who is reportedly building a reputation and repertoire based on plagiarizing the works of others. The film focuses on the claims against the man, the nature of truth and whether society is too black and white.