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Peter Gidal's structuralist short CODA I is composed of three lines of a thousand-word story he wrote (as read by William Bouroughs in a cutup tape collage) amidst an ultra-abstract play-of-light through a camera. Gidal describes his "socalled" imagery as "a complex of barely visible cuts in space and time, the opposite of erasure, but nothing so much as visible." - Stela Jelincic