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The structure of the film TRIVIAL proposes an extended meditation on the landscape of Asuncion and its social and environmental stories. At the same time, expands its humanistic content criticizes holding a degraded conditions of urban life through a sharp formal refinement. TRIVIAL focuses its political commitment distilling the interest in space and time of the paraguayan metropolis, Asuncion, watching and listening to these passages from the paradox and the fragment. TRIVIAL was performed with 15 cameras, most compact pocket along 5 years (2008/2013).
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