Huguette Spengler, ma patrie, la nébuleuse du rêve (1984)

An extraordinary creature that was featured in the chronicles of the 70s. At the end of her life, Huguette Spengler let herself be psychoanalyzed by Philippe Vallois' camera. Surrealist and "Fitzgeraldian", it evokes the 1930s, worldly dancers, liberation, the industrial husband, the ill-famed districts of Marseille, all illustrated by an imaginative and baroque staging.