No compteu amb els dits (1967)

The film is based on the suggestions may caused to the viewer by the relationship of images and things that seemingly are isolated, having nothing in common and that emulate the conventions of film and television advertising. The poet Joan Brossa worked on this script and also puts some maliciousness on the gray and oppressive atmosphere of Franco's Spain, which foreshadow the theme more explicitly on Portabella's 'Nocturno 29'.