BLINDSPoT. (2011)

On a desolate yet picturesque, gravelly West Australian country road, a young girl is revealed, running exhaustedly, bare foot and clutching only a few possessions. She happens upon a small isolated farmhouse. She approaches it, although appearing on edge, staying alert to any danger that may still be ensuing. Her hair is a tangled mess, her clothing torn and bloodied, graphic bruises and cuts cover her entire body. Finding no one at home, and at a loss of what else she can do, the trauma of what she has just escaped takes hold of her as the adrenalin begins to wear off. Exhausted, she crawls into an old rusty car left dumped on the property, and passes out. The next day she once again surveys her surroundings, appearing hopeful to find help. She inspects the property quite casually, even pausing, entranced, when she observes the unfamiliar details of the iconic Hill's hoist. While waiting around and after a brief, reminiscing inspection of the contents of her purse, she becomes hungry and leaves the property in search of food. In her yellow dress she looks displaced and isolated within the fierce, dry bush; much like the yellow flower she stops to caress. After attempting to eat a leaf, she collapses in desperation, until finally concluding that her only hope is to return back to the house and break in. No matter what the cost. Her premeditated resolve and focus become her final chance of hope, which ultimately consume her entire concentration, deterring the sound of an approaching car. Two sets of footsteps advance upon her as she backs away, her face revealing a mixture of emotions, as she extends her hand with one final plea.