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With extensive experience as a film journalist and writer for various media outlets, as well as a background in film marketing, I am now committed to becoming a trusted film critic who delivers professional and honest reviews.
In the previous article Spotting Narcissists: Lessons from Classic Movies (Part 1), we talked about how the personality of a narcissist can affect those around them and analyzed the characters Amy and Nick from the movie Gone Girl. We looked at their behavior patterns and psychological activities, as well as how their narcissistic traits prevented them from properly addressing the problems in their marriages. This led to a life of suffocation and a marriage that existed in name only. In this art
LIAM ACERON: 51 years old, (aceronsociety@proton.me) is also an illustrator and photographer, @aceronhouse on Instagram. He grew up in Chicago (born in Manila). He has published an experimental work in Peace Review; A Journal on Social Justice. He has presented a paper to the International Phenomenology Congress, in, Rome, 2001. He has published a philosophy paper, ‘On Abstraction and Memory’, (Analecta Husserliana, Berlin/Dordrecht, 2004).
This essay is a reflection on forever being left behind by infinity. The movies you may see before or after reading this reflection are: Citizen Kane (1941,USA) and The Sweet Hereafter (1997,Canada). Here are some thoughts of life that linger as I finish a film or a book, as I remember devouring movies back in 1990s, when I was in my twenties. I have watched movies the way I read the person, the character or the persona. And there is also almost always a reminder of a book I have read. I watch l
Fav directors: Godard, Cassavetes, Scorsese, Reichardt, Garrel, Ferrara.
It has been 26 years since the Italian actor Marcello Mastroianni left this world, but people's longing for him has never ceased. In 2014, the Cannes Film Festival designed its official poster based on his iconic image in 8½; ten years later, a film titled Marcello Mio, filled with adorable tributes to Mastroianni, premiered in the main competition section of the Cannes Film Festival, once again evoking memories of the golden age of European cinema he represented. The European cinema masters who
With extensive experience as a film journalist and writer for various media outlets, as well as a background in film marketing, I am now committed to becoming a trusted film critic who delivers professional and honest reviews.
As one of the most famous and influential film festivals ever, the Cannes Film Festival has wittnessed the film history, sometimes even changed it. Esteemed directors such as Roberto Rossellini, Ken Loach, Orson Welles, Terrence Malick, Agnès Varda, Céline Sciamma, Ingmar Bergman, Ruben Östlund, have all been honored with awards at this prestigious event. The whole world knew the French New Wave from here, where Abbas Kiarostami and Apichatpong Weerasethakul‘s films gained recognition, and the i
Bright, passionate, and obsessed with movies. Film lovers worldwide, let's talk about everything cinema!
A SUPER EDITOR’S CHOICE ♥️♠️♦️♣️ Succession is originally inspired by the Murdoch family, but the truth is the series is more than about the Murdochs, there’s full of secrets about the top rich elites more than just one zillionaire family. For example, Logan was seriously ill and hospitalized, and the plot of concealing the real situation from the outside world in order to keep the company's stock price came from Sumner Redstone, the chairman of Viacom. In 2016, Redstone suddenly stepped down fr
LIAM ACERON: 51 years old, (aceronsociety@proton.me) is also an illustrator and photographer, @aceronhouse on Instagram. He grew up in Chicago (born in Manila). He has published an experimental work in Peace Review; A Journal on Social Justice. He has presented a paper to the International Phenomenology Congress, in, Rome, 2001. He has published a philosophy paper, ‘On Abstraction and Memory’, (Analecta Husserliana, Berlin/Dordrecht, 2004).
This essay is a reflection on the brief activist we become and never again. The movies you may see before or after reading this reflection are: Casablanca (1942, USA), The Third Man (1949, UK), and Sweet Dreams (2023,Netherlands). Here are some thoughts of life that linger as I finish a film or a book, as I remember devouring movies back in 1990s, when I was in my twenties. I have watched movies the way I read the person, the character or the persona. And there is also almost always a reminder o
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Deuza Diaz: Great, magnificent article