Alfredo Barros

Alfredo Barros has been a professional editor since 2003. Graduated in Journalism from the Faculty of Library Science and Social Communication - UFRGS (2003) and post graduated in Marketing and Communication from ESPM (2014), worked at Casa de Cinema de Porto Alegre from 1998 to 2005 as assistant director for Jorge Furtado, Carlos Gerbase and Ana Luiza Azevedo, and also as assistant editor for Giba Assis Brasil. From 2003, he also started to work as an editor in short and feature films, documentaries, television drama series and advertising films. Among his most recent works, he was the editor of the documentary "Boca da Rua/Street Mouth" (Bigode de Gato Filmes / Itaú Cultural), of the series "Quatro Milagres de um Santo Ladrão/Four Miracles of a Saint Thief" (Atama Filmes / Box Brazil), "Notas de Amor/ Love Notes" (Tempo Porto Alegre / RBS-TV); "Mulher de Fases/Women Fases" (Casa de Cinema / HBO) and "Doce de Mãe/A Sweet of Mother" (Casa de Cinema / TV Globo - Emmy Internacional 2015). Between 2016 and 2019, he edited the feature films "Legalidade/Resistance" (Prana Filmes), "Yonlu" (Container / Prana), "Depois do Fim/Beyond the End" (Millimeters), "Pra ficar na História/To Stay in History" (Epifania Filmes), "Os Bravos Nunca se Calam/ The Brave Never Shut Up"(Verte Filmes) and " O Método/The Method "(Tempo Porto Alegre / Canal Curta), in addition to the TV series "De Carona com os Ovnis/Hitchhiking with UFOs" (Nebulosa / History Channel - Award for Best Documentary Series by Rio2C and nominated in the category Best Documentary Series of the Brazilian Cinema Grand Prize 2019) and "Banalidade do Mal/Casual Evil" (Bonobo / Box Brazil). From 2011 to 2013 he was also president of APTC (Professional Association of Cinematographic Technicians of RS/Brazil). From 2004 to 2007 he was an assembly professor at the Unisinos Audiovisual Direction Course and also at the Paraná Film and TV Course (CINETVPR). He worked as Advertising, Design and Journalism professor in ESPM from 2007 to 2021. My goal is to bring quality films to the viewers where they can experience and feel the characters in the show. Part of this objective is to cut down violent shots, unnecessary movements and vague scenes. I have edited a wide variety of film shoots from commercial, musical, to production shows. My over twenty years experience in film editing in several companies have strengthened my innate skills in editing shoots, audio compression, and scene and angle selection. With extensive experience in using film-editing equipment and softwares, I am confident that I can produce coherent films that will truly convey the director's vision.