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Michael Nathanson is a senior executive with over three decades of experience in the motion picture and entertainment industry. Mr. Nathanson has served as either Chairman or President of four major motion picture companies including OddLot Entertainment, MGM Pictures, Columbia Pictures, and New Regency. He is also a successful film producer with acclaimed credits including the Academy Award® winning LA CONFIDENTIAL and A TIME TO KILL. Mr. Nathanson most recently served as President of OddLot Entertainment, a film and television production company. OddLot made independently financed pictures, distributed through an agreement negotiated by Nathanson with Lionsgate. Along with running the day to day activities of the Company, he produced or supervised, among others, ENDER'S GAME with Harrison Ford, DRAFT DAY with Kevin Costner, and THE WAY WAY BACK with Steve Carell. Prior to OddLot Entertainment, Mr. Nathanson served as President and Chief Operating Officer of MGM Pictures. Mr. Nathanson oversaw the production, marketing, and distribution of a slate of twelve to fifteen movies a year, including the JAMES BOND, PINK PANTHER, and LEGALLY BLOND franchises and managed a combined annual production and marketing budget exceeding $750 million. Under Mr. Nathanson's stewardship, MGM enjoyed some of its most profitable years. Leveraging these successes, Mr. Nathanson and his team took MGM public (NYSE); ultimately leading to the Company being acquired by a consortium of investors including the Sony Corporation and private equity firms TPG and Providence. Prior to MGM, Mr. Nathanson was President of Worldwide Production at Columbia Pictures for five years. Before being promoted to President, he served three years as Executive Vice President. During his years as President, Columbia was owned by the Sony Corporation. Mr. Nathanson was in charge of all Production, Business Affairs, and Development. He interfaced with all facets of the Sony Corporation from Television, Music, Games, Hardware, and Consumer Products in order to maximize Sony's film content. Mr. Nathanson was responsible for and directly supervised the acquisition of the intellectual property rights to SPIDERMAN and MEN IN BLACK for Columbia Pictures, which enhanced the value of the Company for decades to follow. In addition, Mr. Nathanson was Chairman and CEO of New Regency where he was responsible for more than tripling the Company's annual film production output to seven pictures a year. Mr. Nathanson was responsible for all aspects of production, business affairs, finance, and legal while at Regency as well as managing the Company's global distribution and marketing partnership with Warner Bros. He was one of the principal architects in creating innovative international television output agreements resulting in partnerships with Rai, Canal, Plus, BSKY B, Toho Towa Co, and Samsung. In addition, Mr. Nathanson produced two pictures a year while at Regency including receiving an Oscar nomination for the Academy Award® winning LA CONFIDENTIAL. The Company also made TIN CUP, HEAT, FREE WILLY, and THE DEVILS ADVOCATE, among others. Earlier in his career, Mr. Nathanson was a vice president at both United Artists and Warner Bros. He also spent several years at NBC Sports in New York. A sample of more than five hundred films which Mr. Nathanson has overseen or produced includes: Three JAMES BOND movies THE PINK PANTHER, BARBERSHOP, FREE WILLY franchise, THE PRINCE OF TIDES, BOYZ N THE HOOD, A RIVER RUNS THROUGH IT, A LEAGUE OF THEIR OWN, IN THE LINE OF FIRE, GROUNDHOG DAY, DRACULA, WAR GAMES, MR MOM, PURPLE RAIN, YOURS, MINE, AND OURS, JOYFUL NOISE Mr. Nathanson is presently running his own production company, ONC Entertainment. He recently Executive Produced the Academy Award® nominated film COME HELL OR HIGH WATER, which is currently in release. Mr. Nathanson grew up in New York City, attending Ithaca College. Mr. Nathanson is the recipient of The Louis B. Mayer Motion Picture Business Leader of the Year 2006 and the Sheba Humanitarian Award 2005 and is a member of The Academy of Motion Pictures Arts and Sciences (AMPAS), the British Academy of Film and Television Arts (BAFTA) and The American Film Institute (AFI).