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“I filmed the life of the working class, their relation to society, and the traces their lives had left behind. If you see my film together with things from the last few decades, you can see what people have been doing over the decades in this country, what they have been dreaming of, and if their dreams have come true. This is a very important issue, because it tells us how we might live in the future.” Wang Bing is a prominent Chinese filmmaker best known for his nine-hour documentary Tie Xi Qu: West of the Tracks (1999–2003), which captures the decline of Shenyang’s industrial Tiexi district, reflecting broader changes in Chinese society. His work, encompassing both documentary and fiction, often focuses on those affected by historical shifts, portraying them as "hostages to history." Wang develops alternative narratives that challenge mainstream portrayals of contemporary China, blending historical depth with emotional resonance. Born in 1967 in Shaanxi Province, he experienced significant social upheaval during his childhood, including the loss of his father. After dropping out of school to support his family, he later studied photography at Lu Xun Academy of Fine Arts, where he encountered Hegel’s Lectures on Aesthetics, shaping his aesthetic sensibility. Utilizing digital filmmaking, Wang redefines the documentary genre, expanding its boundaries and enhancing its emotional depth. His unique approach continues to gain recognition for its significance and impact over time. Wang Bing founded his own production company, Wang Bing Studios, which produces most of his films. One notable work is The Ditch, a film about Chinese labor camps that was featured as the "film sorpresa" at the 2010 Venice Film Festival.