Peliplat | Your Movie Community

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How do you know if your idea for a movie is actually worth pursuing? When budgets are limited, resources are scarce, and industry gatekeepers get in your way, it can be tempting to chase the safest idea. A lot of emerging filmmakers get caught up in the notion that their concept should be easy to explain, easy to fund, and easy to find an audience for. But in an oversaturated and competitive lands

A Case Study in Making the Weird Film | A Conversation with the 'Headcase' Team

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Maybe John Waters made the most important movie in cinema history. And maybe I'm just too sentimental about this, but I have a point. I was in film school and I watched a lot of movies that talked about how to make movies, like La Nuit Américaine, which is an amazing movie, and Sunset Boulevard, another great movie. These are different movies about cinema; one recreates a film set and the other on

The passion of making film: Cecil B. Demented

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Thirty years in, the festival that started as a showcase for Asian genre cinema has become one of the best genre fests in the world. From July 16 through August 2, the Fantasia International Film Festival will, as usual, make its audience sit through body horror and heartbreak in the same afternoon, while also looking back through three decades of selections in a retrospective. Even with the 30-ye

Films Hot off the Major Fest Circuit Are Coming to Montreal This Summer

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"No, Hannah, you can't do that, that's cheating," complains Derek, throwing his ten-year-old hands up in the air. He had a full-bodied mannerism, especially when it came to frustration or annoyance. Which, he always was when it came to his younger sister. Who was only six, so she really didn't know anything at all. Not like Derek who now knew the times table all the way up to twelve. "I'm not chea

Jester Jack

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I used to watch Titanic multiple times a year. My family would travel and my brother and I would share a hotel room. Of course, we argued over everything including what to watch on TV. Eventually, we’d settle on a movie playing and for whatever reason in the early 00’s Titanic was on TV a lot. So, my brother would stop flipping through channels, watch a bit of Titanic, and fall asleep. I would sta

Titanic, 29 Years Later It’s Still Unbeatable.

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Hey Peliplaters! I'm sure you've noticed how much Short Stories have taken over Peliplat lately. We have original story writing challenges, and now a dedicated home for all your fiction in the Stories tab. We truly believe the best stories end up making the best movies, so this was the natural addition to the Peliplat-universe. As the next part of my How to Peliplat series, here are some tips and

How To Write a Short Story on Peliplat

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Ponyo is a 2008 Studio Ghibli movie, written and directed by Hayao Miyazaki. On a budget of $34-million (U.S.), the film grossed $205.9-million (U.S.) at the box office, becoming one of the highest-grossing animes in history. The other night was my first time ever watching this movie. What stood out the most was the complexity of its main characters. Sōsuke Sōsuke is the boy whose eyes a majority

Great Characters Make Ponyo Memorable

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Most horror movies end by killing the monster. Obsession ends by finally giving the monster exactly what she wants. And somehow, that makes everything worse. Curry Barker’s Obsession has one of those endings that works as a gruesome horror climax, a cruel punchline and a complete summary of the movie’s themes—all at the exact same time. It doesn’t simply surprise us. It takes everything the movie

OBSESSION: A MASTERCLASS IN SET-UP & PAY-OFF

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This was a narrow released film (is that the opposite of a wide release? I'm simply too lazy to look it up); it was playing in exactly two theaters near me, both in Chicago. So, Page and I took the train out, walked twelve minutes in the sweltering Chicago heat to the red line (subway/L train) where we traded the hot sun bearing down on us for a cooler, piss-scented tunnel. The ride was unremarkab

John Early Stuns in Maddie's Secret

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Few festivals have gotten into my heart the way Fantasia has. Covering the 30th edition as a guest makes it sweeter. What keeps me coming back is not the genre label; it is the narrative risk the programming vouches for. Here are the five titles I have on my radar this year. Godhead (dir. Mark H. Rapaport) Three years ago Rapaport showed up at Fantasia with Hippo, a black and white oddity about a

Five Films I Can´t Wait To See at Fantasia´s 30th Edition