The Director and the Madman:On Martin Scorsese
The best things we have come from madness, when it is given as a gift of the god. —Plato, Phaedrus Martin Scorsese is the greatest director alive. Every film scholar knows that. And everyone knows that his films are about violence, criminals, gangsters. At least, that’s the stereotype—and, really, it’s not far wrong. Yes, there are a few exceptions: The Age of Innocence (1993) stands out, and so does Alice Doesn’t Live Here Anymore (1974). But the paradigm cases are about violence, typically gan
Siena Gil: Muy agradable a la vista.