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A moving image essay exploring translatability in a specious environment of a threshold, informed by mythology, folklore, iconography and colonialism, filmed entirely through binoculars, microscope, hand-blown bulls-eye glass and in a greenroom. The story is led by a whirling girl seed, like a Samazan Sufi; Sama meaning listening, to the bouncing of the wind; the "ultra-sounding" inside thresholds that are taking many forms. Avenues to truth about the natural world and is part of the human evolution) travels, arrivals, deportations entwined in uncanny cohabitation's of transit spaces; ports of entry, like souls nesting in forest trees before returning to a womb.