Mage Porob (2019)

The Ho people remember their ancestors and deities as the deuri (elder and priest) offer the prayers and best flowers, fruits, leaves and meat. But a festival is not a festival without a community dance. All conflicts come to an end when Mage Porob drags the villagers to the dancing field. Even a mother with a baby taps her feet to the rhythms of dama and dumeng while holding the next dancer with one hand and the baby with the other. The entire village becomes an assembly line. The once-successful music arranger who is now partly disabled still keeps the drummers in sync with his coordinated hand gestures. The dancing field is that place where young members of the community get to meet and approach their future partners. The Sarapancha, an elected local political leader, also joins the dance group for a short while. The real world problem pauses as buckets of water are sprinkled to settle the dust right before the dance starts. The Ho way of life goes much beyond Mage Porob. The people, their language and culture have seen so much change around since the community started moving out of the Chota Nagpur Plateau of present-day Jharkhand and Odisha. All that change and the nature that every Ho calls home has shaped their animist cultural and religious practices. The film is touched by the free-flow conversations between the villagers that cite folklore, songs and the meticulous jamming of dama and dumeng, two signature percussion instruments that are seen in every single Ho cultural gathering. When the entire film is shot in the Keshpada village, some of the annotative additions along with subtitling were done in collaboration with the Veer Birsa Munda Ho Students Union Odisha (Birbasa) in Bhubaneswar.