Jeanne, aujourd'hui (2000)

Behind closed doors, an actress rehearses texts from the trial of Joan of Arc. It is filmed by a hidden camera: a television screen, in the background, restores its image, image sometimes "out of sync". Does she rehearse a theatrical, television or cinematographic show? A female character "whose voice we only see" appears from time to time, filmed from behind, as if in the background, in return for Jeanne. This woman, witness, sets out possible reflections of spectators on the historical character of Jeanne, on her possible representation in cinematographic images. Recurring details of her journey run through the film, right down to the flames of her ordeal.