Jean-Luc Godard

"Every edit is a lie." A pioneering filmmaker and a central figure in the French New Wave (Nouvelle Vague) movement. He is renowned for his innovative approach to film narrative and his bold, unconventional techniques that redefined the language of cinema. Godard's directorial debut, À bout de souffle (Breathless, 1960), was a landmark film that exemplified the New Wave's principles, which included the use of jump cuts to break the continuity of time and space in traditional editing, creating a jarring effect that drew attention to the filmmaking process itself. He also frequently had characters break the fourth wall, addressing the audience directly and engaging viewers in a dialogue about the nature of cinema. His films were rich with intertextuality, incorporating references to literature, philosophy, and other films to add layers of meaning and encourage critical thinking about the cultural context. Godard often employed nonlinear narratives, favoring fragmented, episodic plots over linear storytelling to reflect the complexities of modern life. Additionally, his later works became overtly political, critiquing capitalism, consumer culture, and the media.