Bradley Fisher

Bradley started his professional career at age 19 in Dublin, Ireland. There he worked with lauded theatre directors Jim Sheridan, Alan Simpson, Diedre O'Connell and Bill Kenwright, in shows ranging from William's "Night Of The Iguana" to "Jesus Christ Superstar" to the original rock opera "Switchblade". Coming back to the states he segued into rock & roll with punk bands The Nostrils and Wink. A move to Eugene, Oregon got him reacquainted with classical ballet which became an obsession for the next ten years. Unable to make a living in ballet, he returned to the Los Angeles stage working in musicals (meeting his beautiful dancer/choreographer wife Donna) then notably into dramatic and comedic plays, garnering two critics awards for his leading performances in "Brooklyn USA" and "Whodunnit". He was also busy as a bad guy working consistently in television throughout the decade on such shows as Hill Street Blues (1981), The Twilight Zone (1985), Tales from the Darkside (1983), and the like. In the nineties he gave up acting again and started writing screenplays with Donna. They eventually produced, wrote and directed the feature film Knock on Wood (1998) (Audience Award Winner - Los Angeles Dances With Films). After two years of traveling to festivals, enumerable meetings with development execs and no money coming in, the next ten years were spent working on film crews. A few years ago he returned, yet again, to the acting fold where he's been busy working his way back into television and film. He's also an an active member of the critically acclaimed Rogue Machine Theatre Company and is happily forging ahead with the third act of his wonderfully quixotic and ridiculously blessed life.