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[Commenting on her work with the Nazi party] "Being sorry isn't nearly enough, but I can't tear myself apart or destroy myself. It's so terrible. I've suffered anyway for over half a century and it will never end, until I die. It's such an incredible burden, that to say 'sorry'... it's inadequate, it expresses too little." Leni Riefenstahl was a German director, actress, producer, and photographer, best known for her controversial documentary films supporting the Nazi regime in the 1930s. Initially trained in painting and ballet, she began her career in German "mountain films" before transitioning to directing. In 1932, she wrote, directed, and starred in Das blaue Licht (The Blue Light), and by the mid-1930s, with Nazi backing, she created films like Triumph des Willens (1935), a documentary celebrating the 1934 Nazi Party Congress, and Olympische Spiele (1938), a two-part film about the 1936 Berlin Olympics. Her works were noted for their visual beauty, innovative editing, and use of music. However, due to her association with the Nazi Party, she was detained by Allied forces after WWII, though she was cleared of war crimes. Despite being blacklisted, Riefenstahl continued her career, completing Tiefland in 1954 and later focusing on photography, particularly underwater images. In 1973, she published Die Nuba, a book of African photography, and produced other photo collections. Riefenstahl's later years included reflections on her past, including in the 1993 documentary Die Macht der Bilder, where she expressed mixed feelings about her connection to the Nazi regime. She also published her autobiography, Memoiren, in 1987.