Micheline Presle

Elegant, dark-haired Parisian Micheline Presle (billed in the U.S. as Micheline Prelle) was born on August 22, 1922, the daughter of a businessman whose surname was Chassagne. Taking acting classes as a teen, she was discovered by Georg Wilhelm Pabst and cast in Girls in Distress (1939) (portraying Jacqueline Presle, whose last name she chose as her own marquee name). Very early into her film career, she was awarded the Prix Suzanne Bianchetti as the" most promising young actress" in French cinema. While Micheline proceeded to make movies during the Occupation with such offerings as Four Flights to Love (1940) (dual role), La comédie du bonheur (1940), Foolish Husbands (1941), Fantastic Night (1942), Twilight (1944), and Paris Frills (1945), she was regarded as an important young French star in the post -war years when she appeared in the classic films Angel and Sinner (1945) and, in particular, Devil in the Flesh (1947), both gaining her world-wide notice. After a brief post-war marriage to Michel Lefort, Micheline's second marriage to American actor-turned-producer William Marshall in 1949 led her to attempt Hollywood pictures. Receiving a 20th Century-Fox contract, none of the those pictures, which included Under My Skin (1950), American Guerrilla in the Philippines (1950) and Adventures of Captain Fabian (1951), the last one produced and directed by husband Marshall, captured the hearts of American audiences despite co-starring opposite Hollywood's top male superstars stars at the time -- John Garfield, Tyrone Power and Errol Flynn. Divorced in 1954, Micheline never truly adjusted to the Hollywood way of life and returned quite willingly to Paris with her daughter, the future actress/director Tonie Marshall. She would, however, return briefly to America in the early 1960's to appear in the Dee/Darin comedy fluff If a Man Answers (1962) and the spy drama The Prize (1963). The supremely talented Micheline continued to reign supreme back in Europe and appeared frequently on the stage as well. Some of her post-Hollywood films (mid-1950's on) included House of Ricordi (1954), Royal Affairs in Versailles (1954) (as Madame de Pompadour), Her Bridal Night (1956), Demoniac (1957), Mistress of the World (1960), Imperial Venus (1962) (as Napoleon's Josephine), Dark Purpose (1964), The Nun (1966), King of Hearts (1966), Donkey Skin (1970), The Legend of Frenchie King (1971), L'événement le plus important depuis que l'homme a marché sur la Lune (1973), Néa (1976), Demons of the South (1979), Thieves After Dark (1984), Good Weather, But Stormy Late This Afternoon (1986), High Finance Woman (1990), Fanfan (1993), Les Misérables (1995) and Diary of a Seducer (1996). Into the millennium, Micheline graced a large number of French films such as Le coeur à l'ouvrage (2000), Charming Fellow (2001), The Devil in the Box (1977), Transfixed (2001), France Boutique (2003) (directed by daughter Tonie), Grabuge! (2005), Going South (2009), Just Like Brothers (2012) and her last, an unbilled part in Sex, Love & Therapy (2014). Nominated for a supporting actress Cesar Award for her role as in the Venice Film Festival winner I Want to Go Home (1989), Micheline received an honorary César Award in 2004.