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Michail is an artist. He is working on a series of paintings called "Franz Kafka's Diary". His son Daniel is thirty-four and yet his life is hardly separable from the life of his father. He is deaf and mute, and suffers from a severe form of cerebral palsy. Michail is determined and energetic, Daniel - persistent and charismatic. And they are a striking couple. The film offers a detailed observation of two interconnected characters.

How and why what we eat is the cause of the chronic diseases that are killing us, and changing what we eat can save our lives one bite at a time.

Contains two separate stories. In Part 1, Black Jack's latest patient holds a link to Pinoko's past. Pinoko begins experiencing heart attack-like pain periodically, and detailed medical examinations fail to find any abnormalities. During this time, Black Jack receives an urgent request from a past patient whose identity shocks him: Yurie SAIONJI, whose Teratogenous Cystoma was constructed into Pinoko by Black Jack 10 years ago. In Part 2, Black Jack is kidnapped by the government of a war-torn country.

The West has positioned itself as the protagonist of the development narrative. But the results have been mixed, in some cases even catastrophic, and developing world leaders have become increasingly vocal in calling for change. Drawing on perspectives gathered from over 150 interviews shot over 4 years in 20 countries, Poverty, Inc. explores the hidden side of doing good. From disaster relief to TOMs Shoes, from adoptions to agricultural subsidies, Poverty, Inc. follows the butterfly effect of our most well-intentioned efforts and pulls back the curtain on the poverty industrial complex - the multi-billion dollar market of NGOs, multilateral agencies, and for-profit aid contractors. Are we catalyzing development or are we propagating a system in which the poor stay poor while the rich get hipper?

The film follows Fidelis Ghally, a trainer at APOPO in Tanzania. The organisation trains rats to detect active landmines, and to detect positive tuberculosis strains, assisting medical clinics in the capital.

Rarely does television follow the real-life journey of a person's will to survive. This isn't just about the doctors. It's about how real people find meaning in the midst of a tragedy.

Sergey is in a hurry from Voronezh to Moscow to see his son in the hospital. The main thing for him is to be in time for the clinic with the money for the operation, because the bill is for minutes.

Thriller about Guy Luthan (Hugh Grant), a British doctor working at a hospital in New York. He starts to make unwanted inquiries when the body of a man who died in his emergency room disappears. The trail leads Luthan to the door of eminent surgeon Dr. Lawrence Myrick (Gene Hackman), but Luthan soon finds himself in danger from people who want the hospital's secret to remain undiscovered.

An 'Airplane'-style spoof of hospital soap operas: a brilliant young trainee can't stand the sight of blood; a doctor romances the head nurse in order to get the key to the drugs cabinet; there's a mafioso on the loose disguised as a woman - in other words all the usual ingredients present and correct, though in this case the laughs are intentional.

In a medical school, the freshmen students Alison Blanchard, Brian Cross, Carlos Aclar and Rick O'Connor receive the cadaver of a young woman for dissection in their anatomy class of Professor Walter Blackwell. The atheist Alison has a weird sensation that the spirit of the corpse is trying to communicate with her and tries to unravel who the woman was. Meanwhile, all the persons that handle the corpse mysteriously die.

In Brooklyn, New York, the former crack addicted Ana Wallace is HIV positive and is a volunteer in the Life Support, an organization that promotes a fight against AIDS in the African American community. Ana wanders through the streets handing out condoms and helping people with AIDS through lectures and advices. She lives with her mate Slick, who has transmitted AIDS to her, and their little daughter Kim. She has lost the custody of her older daughter Kelly that lives with her estranged mother Lucille. When Kelly's childhood gay friend Amare, who is sick and rejected by his sister Tanya, vanishes on the streets of Brooklyn, Ana seeks him out and tries to save him. Meanwhile Lucille decides to move to Virginia with Kelly, and Ana reflects about her life and the relationship with Kelly.